Let us, then, go upon a long journey and enter on a dreadful search. Let us, at least, dig and seek till we have discovered our own opinions. The dogmas we really hold are far more fantastic, and, perhaps, far more beautiful than we think…
Truths turn into dogmas the instant that they are disputed. Thus every man who utters a doubt defines a religion. And the skepticism of our time does not really destroy the beliefs, rather it creates them; gives them their limits and their plain and defiant shape.
~ GK Chesterton
Hasty deductions from highly abstract conceptions of Art, formed by leaving out all the concrete characters of all the poems and pictures we know, are one of the prime sources of critical error. Is not surprising that “Art” should be amoral, alogical, a-this and a-that, when you have arrived at art by sheer subtraction.
It is always wiser to consider not so much why thing is not enjoyable, as why we ourselves do not enjoy it.
THE highest use of the great masters of literature is not literary; it is apart from their superb style and even from their emotional inspiration. The first use of good literature is that it prevents a man from being merely modern. To be merely modern is to condemn oneself to an ultimate narrowness; just as to spend one’s last earthly money on the newest hat is to condemn oneself to the old-fashioned. The road of the ancient centuries is strewn with dead moderns. Literature, classic and enduring literature, does its best work in reminding us perpetually of the whole round of truth and balancing other and older ideas against the ideas to which we might for a moment be prone. The way in which it does this, however, is sufficiently curious to be worth our fully understanding it to begin with.